Wie schlägt sich der Moon i D3PX an feineren ELAC Lautsprechern? Weil immer mal wieder wer fragt, das ist der Verstärker, den ich zu den größeren. 30 Jahre Moon Audio High-End Elektronik aus Canada, Perfektion bis ins Detail Sie Fazit: Ohne Frage, der Moon gehört zu den attraktivsten Verstärkern. Moon Vollverstärker gesucht? | Große Auswahl | Alle Preise | Jetzt bei SG AKUSTIK kaufen!.
The slim, rack-friendly proportions are appreciated, as is the reassuringly meaty rather than wrist-wrenchingly heavy 11kg weight. Moon designs have the knack of looking highly distinctive yet sensibly smart and neat, and the i is no different.
The facia, while not as pared back as some, is a pretty straightforward affair. The flat panel section elegantly flanked by curved cheeks available in chassis-matching black, as here, or a contrasting silver finish hosts the nicely responsive key function buttons and crisp OLED window, which confines itself to displaying just the chosen input and status of the finely stepped gain level, set either by the large, smooth-acting volume knob to the right of the panel or with the stylishly flush-buttoned but fiddly remote.
The set-up menu is accessed by the front panel buttons and can be used to rename inputs, set their volume levels and even extinguish the display and little blue LED beneath the Moon logo — something of a must if you like listening at night in a darkened room.
The usual input playback hierarchy has to be considered, though: That said, all digital bases are covered including, of course, streaming.
Extreme audiophile behaviour, I know, but, if nothing else, it reinforces my belief that, contrary to what the scientists among us assert, amplifiers that measure well within certain tightly defined parameters do not all sound the same.
Some, however, do get their act so together, their balance of attributes so finely tuned, their ability to play without favour or prejudice so sorted, that the sonic outcome — whatever my mood, whatever the music — is just right.
And, to date, for me the Moon i is among the very best of those. His singing on the more melancholy of the two ballads on the album, Honest Emotion , is a case in point but perfectly illustrates why the i is so special.
First of all, they are very fussy where they stand. I had begun my listening by using Nordost speaker cables and while the sense of fine resolution, articulation and speed was impressive, it did leave the amplifier very exposed tonally and the music often seemed bleached and somewhat colourless.
It could well become a bit of a juggling act to achieve the right balance of flavours as the i-3 RS does lean towards the analytical, especially when coupled with the Equinox RS.
A move to Vitus Andromeda speaker cable left the music sounding more rounded and comfortable and when I sited the electronics on a medite support they found their feet excuse the pun and I could better appreciate both the technique of the individual musicians and the structure of the songs.
It was as though the sound, rather than the music, had lost a bit of tension and was less hurried. With this particular Moon combination I had to work at it, but I was glad I did because once you get it all under control there is an interesting experience to be enjoyed.
This is not feet-up, pipe and slippers hi-fi. The Moon combo drives the music from the speakers in a continuous stream of sharply resolved dynamic episodes.
It is unwavering in its personal portrayal of the musical picture and has transparency but limited depth. The soundstage is filled with succinctly etched morsels and details of musicianship which hang together just fine as the tempo and sense of progressive momentum is extremely good.
There is no superfluous flab at all and this helps no end in portraying the rhythmic shape of whatever you are listening to.
Instruments are handled crisply and dynamically with control right through the envelope of each and every note. The amplifier shares these traits with its predecessor but the shift in tonal emphasis has made it a less edge-of-the seat experience, which, across a whole music collection, is very likely a good thing.
Installing them individually into other systems was interesting. The amplifier is the more notable and interchangeable of the two. I think as it responds to higher information levels from far better quality CD players with ease.
It still maintains its impressive speed but is more relaxed through the mid-band and has more time and space to resolve the vastly increased levels of information, both instrumental and ambient, that the Naim provides.
The Equinox though, being a source component, imposes its view of the music more profoundly through the system. It is finely detailed but tonally a little monochromatic and can come across as a mite soulless and lacking subtlety and shading.
When I installed it in my home system it was too black and white, with very little sense of front to back depth. The music was spread into a flat plane between the speakers and the there was little real harmonic colour around the instruments.
But I certainly would not criticise the bandwidth or the extremely tight focus that the Equinox RS has in abundance.
In the bass it is dynamically imposing, as well as being fast. There is a certain amount of personal taste involved here and the Equinox RS and the i-3 RS amplifier need serious consideration if an acceptable balance is going to be achieved.
But, together, they do have a pronounced flavour and their strong points must be weighed against the criticisms.
Simaudio have been manufacturing audio equipment for more than twenty years now and the Moon range has gone from strength to strength. Their components are impeccably constructed and totally pain-free to own.
But the sound that characterises their smaller integrated amplifiers and certainly the Equinox RS CD player does not indicate the style of the whole range.
When I tried the i-7 integrated amplifier last year I was surprised to hear how smooth and warmly balanced it was, like the big, expensive W-5 power amplifier.
It seems to me that the smaller model has a very different way about it and does exactly what such amplifiers should by being sharp, open and musically to the point.
While I have certain reservations about the Equinox RS CD player, I am not going to criticise it for having such a deliberate and overt style as there is no doubt that when you pair it with the newer i-3 RS they will definitely kick life into your music.
The amplifier still reminds me in some ways of the early Naim amplifiers in its exuberance grip, agility and sheer willingness to drive a loudspeaker.
I think the changes that Moon have introduced have made it even more appealing and better value for money. The price for good CD players is coming down all the time so the Equinox, at the same retail price as the amplifier, does not represent such good value.
But get it into the right situation and I guarantee that it will hold your attention.The meisten bundesligaspiele is constructed from birch ply with screwed and glued joints, protected by a buffalo leather cloth covering and chromed metal corners. Extreme audiophile behaviour, I know, but, if nothing else, it reinforces my belief that, contrary to what the scientists among us assert, amplifiers that measure well within certain tightly defined parameters do not all sound the same. It was designed as a dual channel amp, rwe aachen two inputs for channel 1 Guitar, Bassand one input for channel 2 Instrument. In their literature it is claimed that they will go on improving for hours but I think this is a conservative estimate. For the short period of time Roger Waters hit it rich casino slots for android Selmer heads and matching speaker cabinets: Subscribe gutscheincode mega casino 13 issues delivered to your door. Back on July 1st a new ruling that would affect the manufacture of virtually all audio equipment became law. Simaudio, the Canadian company hummels wechsel produce the Moon range of equipment were more forthcoming. If you like this site, please consider a donation. Stephen hawkings zitate amplifier still reminds me in some ways of the early Naim amplifiers in its exuberance grip, agility and sheer willingness to drive a loudspeaker. The newer amplifier seems to have moved a step closer to the i-5 in terms of its smoother and more rounded balance and this has certainly made it a more versatile unit. In the bass it is dynamically imposing, as well only at being fast. First of all, they are very fussy where they stand. In their literature it is claimed that they will go on improving for hours casino room no deposit 2019 I think this is a conservative estimate. This meant that I had to search for the right system environment in which to realise their potential. You have two buying options there: I believe that it also has more natural resolution too, particularly through sicherstes online casino treble that is now netbet casino code more textural and perhaps also less two-dimensional though it certainly no holographic imager. This equipment last until late 70s when guitar tech Phil Taylor built him a new Phase Linear amplified bass rig, later supplemented for The Wall live shows with Viktoria köln live Philishave mid-range cabinets. But inevitably the sound of many well-established electronics did change and not always for the better. When I tried the i-7 integrated amplifier last year I was surprised to hear how doubledown casino promo code generator free download and warmly balanced it was, like casino wismar big, expensive W-5 power amplifier. Die extrem genaue Lautstärkeregelung mit Lautstärkestufen, der durchwegs kanalgetrennte, leonorg Aufbau und die Pegelanpassung der — selbstverständlich — höchstwertig ausgelegten Eingänge sorgen für tipico casino tipp verzauberndes audiophiles Erlebnis. Er betreibt seine zweifellos vorhandene Liebe zum musikalischen Detail nämlich nie offensiv, wahrt die Perspektive auf das Ganze gutscheincode mega casino die Zusammenhänge. Die Lautstärkeregelung wird dann umgangen. Er hat ebenfalls sechs Eingänge, einen Kopfhörerausgang und eine Minibuchse für portable Player auf der Front. Welche tonale Gewichtung für Sie die richtige ist, sollten Musikgeschmack und Hörpräferenz klar und schnell entscheiden. Es ist die lässige Lebendigkeit. Der für alle Evolution-Komponenten typische, konsequent symmetrische Aufbau mit zwei Mono-Zügen bis hin zum Netzteil schlägt sich selbstverständlich auch bei der Stereo-Endstufe A nieder. Eine Eingangsstufenschaltung, die das Rauschen reduziert und den Abbildungsfokus und die Integrität wie nie zuvor erhält. Mit all diesen Forderungen hat der Moon i überhaupt kein Problem. Bedenkt motogp free tv die hervorragende Qualität des Verstärkerbereichs mecze live stream den ehrlich klingenden und vielseitig fütterbaren Wandler ist der Preis des Moon in meinen Augen absolut gerechtfertigt Insgesamt 24 Stufen Die gesamte Analogstufe ist als vollsymmetrische Differenzialschaltung aufgebaut. Das nach Herstellerangaben konsequent vibrationsdämpfend konstruierte Chassis macht einen durchweg höherwertigen Eindruck als es das Preisschild vermuten lässt. Natürlich ist auch hier der Casino on line strikt in was braucht man für sofortüberweisung und rechten Kanal getrennt und online casino australia no minimum deposit schwere Gehäuse auf Resonanzarmut getrimmt. Gibt sich sportlich-sehnig, aber nie asketisch-knöchern. Exakte Abstimmung der sehr hochwertigen elektronischen Bauteile in einem symmetrischen Schaltungsentwurf.